With this piece, I am analogizing the data we spread when interacting online to pollen: millions of invisible particles emitted in all directions, with unseen effects. #MastoArt #InteractiveArt
Here's another new artwork: "An Hour with ELIZA," a dot-matrix print of a conversation between the 1960's "psychotherapist algorithm" ELIZA and ChatGPT 4.
also in the show is "Targeting," made with 27 custom display blades. It shows a shimmering silhouette of anything moving in front of it, with bullseyes zeroing in on them.
To me, this replicates the feeling of being overly targeted by personalized ads or algorithms.
Chris Combs (he/him)
in reply to Chris Combs (he/him) • • •#MastoArt #InteractiveArt
Chris Combs (he/him)
in reply to Chris Combs (he/him) • • •Here's another new artwork: "An Hour with ELIZA," a dot-matrix print of a conversation between the 1960's "psychotherapist algorithm" ELIZA and ChatGPT 4.
#MastoArt #RetroComputing
Chris Combs (he/him)
in reply to Chris Combs (he/him) • • •these are my "Cryptid Currencies," freshly minted cast aluminum tokens depicting Bigfoot in various stages of decrepitude. Eminently fungible.
some lost-PLA, others impression sand-cast, backs machined smooth.
#MastoArt #aluminum #casting
Chris Combs (he/him)
in reply to Chris Combs (he/him) • • •This is "MacAffy's Anti-Viral 'Revigorator,'"' which purports to cure "all maladies afflicting Man or Machine!"
In reality, it does nothing.
#MastoArt #retrofuture
Chris Combs (he/him)
in reply to Chris Combs (he/him) • • •also in the show is "Targeting," made with 27 custom display blades. It shows a shimmering silhouette of anything moving in front of it, with bullseyes zeroing in on them.
To me, this replicates the feeling of being overly targeted by personalized ads or algorithms.
Its arrangement is inspired by military radars.
#MastoArt